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Kondo audio note
Kondo audio note




kondo audio note

When metals like silver are rolled out into conductors, they are put under considerable mechanical stress, tearing apart its internal structures. Kondo’s approach to silversmithing remains one of the best-kept secrets in HiFi audio, but sources like this 2001 interview with TNT Audio (link) indicate that it seems built on two main pillars: Annealing and Aging. A departure from his previous high-distortion, low-resolution attempts. Through his experimentation with silver wires, he discovered that, to his utter delight, that the new transformer sounded magically sweet. It was at that time that Hiroyasu Kondo hit upon the transformer as a key component to achieve that sound, and it was also at that time he began Kondo Japan’s inextricable link to silversmithing in the realm of Hi Fi. What particularly struck him was the Studer’s sweet highs, which he set out to replicate with limited success, even when the same materials and components were available to him.Ī A810 Studer Tape recorder, similar to the one Hiroyasu Kondo might have drawn inspiration from The groundwork of these ideals, and what would eventually become Kondo Japan’s house sound, was laid when Kondo was exposed to the characteristic sound of European tape recorders such as Neumann and Studer. Kondo refused to use components made by other brands or manufacturers, choosing instead to embrace a slower, from-scratch, research and development process, putting the priority on his sonic ideals instead of production efficiency. He left to build a better sound system, founding Kondo Japan in the process. However, he eventually found that his own goals and working methods clashed with the Japanese megacorporation's. Hiroyasu Kondo spent some time as a recording engineer for SONY before beginning work on the product side. Setting the bar for his own attempts at musical reproduction. It was the golden age of recording he listened to when he was young. Foreshadowing his own future aspirations.Īnother major influence cited by Kondo was a recording of the forth movement of Dvorak's “New World” Symphony conducted by Toscanini in 1953. His father was a Buddhist priest and a tinkerer: Putting a young Kondo in the perfect position to be inspired by both the acoustical properties of Buddhist chants as well as his father’s penchant for building his own amplifiers. In an interview with Hiroyasu Kondo, he mentioned his father’s indelible influence upon his life. Kondo Japan was established by Hiroyasu Kondo in October 1979. Making almost every component in used in their highly sought-after equipment. Kondo Japan is a near-legendary name in HiFi silversmithing. From their fantastic silver conductors to their Ongaku Amplifiers, built on the power and magic of their hand-wound silver transformers, silver capacitors, silver lead resistors and silver RCA jacks.






Kondo audio note